With “Nissan” painted in big, gray letters on its outer wall, a massive, bulky warehouse on Washington Boulevard in Culver City reveals nothing of its new identity as experimental performance. Only upon entering the venue is there any indication of the unusual experience that awaits inside the drab abandoned building — 21 distinct sets spread across 25,000 square feet of space, meant for an audience to traverse scene by scene on a “train” or on foot as the production unfolds…. Continue reading →