“I know how to draw faces!” Ramiro Gomez insists with a grin, dabbing brown paint onto a glossy white magazine page with a slender brush. Shoulders and arms appear in a coppery sheen, then a head topped with thick black hair. But no face, at least not this time.
Ted Gibson’s framing shop has stubbornly stayed in business. It has kept its charm, too.
Artist Ramiro Gomez creates paintings of L.A.’s gardeners and janitors, nannies and housekeepers — the fleet of workers who keep some of the city’s most upscale households running smoothly.
Israeli musician David Broza hopes that bridging cultures through music can be one small step toward peaceful coexistence.
My 15-year-long ballet “career” has introduced me to astounding music, from Tchaikovsky’s “Serenade for Strings in C major” (from George Balanchine’s “Serenade”) to Danny Elfman’s “Beetlejuice” score (from a funky piece by my amazing Westside Ballet teacher Veronica Apodaca). Now, I’m again adding to the list. In a recital this Friday at The Colburn School’s Zipper Hall, I’ll perform two pieces with Colburn’s adult ballet class – and our music ranges from 19th century classical to 20th century Latin jazz.
Melissa Barak, ballet dancer and choreographer, sees dance as L.A.’s “next artistic frontier.”
I saw my first musical when I was five. It was Chess: A story of Cold War hostility set during an international chess competition — U.S. versus U.S.S.R., of course — and the lovers’ lives who get tangled up and mangled up amid the scheming….The musical, which premiered in 1986 with music by ABBA songwriters Björn Ulvaeus and Benny Andersson and lyrics by Tim Rice, runs at East West Players in Little Tokyo until June 23….