A new crop of Zumba studios have taken root in South LA, helping people lose weight and transform their lives.
The Day Laborers of the North and Ana Tijoux brought music to the doorstep of a federal prison in downtown L.A. in solidarity with detained immigrants.
Listen to Anthony Aguiar, lead singer for the band P A R I S, describe the mystique of The Satellite in Silver Lake, one of L.A.’s most storied concert venues.
Israeli musician David Broza hopes that bridging cultures through music can be one small step toward peaceful coexistence.
My 15-year-long ballet “career” has introduced me to astounding music, from Tchaikovsky’s “Serenade for Strings in C major” (from George Balanchine’s “Serenade”) to Danny Elfman’s “Beetlejuice” score (from a funky piece by my amazing Westside Ballet teacher Veronica Apodaca). Now, I’m again adding to the list. In a recital this Friday at The Colburn School’s Zipper Hall, I’ll perform two pieces with Colburn’s adult ballet class – and our music ranges from 19th century classical to 20th century Latin jazz.
Last week, creative thinkers Brian Cross, Eamon Ore-Giron, Josh Kun and Susannah Tantemsapya met up at Pasadena’s Armory Center for the Arts to discuss “Music as Urbanism.” Their presentations took us from the American southwest to Cali, Colombia, and home to Los Angeles. We heard (literally) about Peruvian processionals, Colombia’s “música pacífica,” and Mexican migrant music. And we contemplated the sonic landscapes of both our cities and our minds. Here are a few ideas that buzzed most loudly in my head.
The simple tune and patriotic lyrics of “Guantanamera,” Cuba’s signature song, have traveled to numerous far-flung corners of the planet. Even unlikely ones, I learned last Friday at a concert by Masanga Marimba at MacArthur Park’s Levitt Pavilion. Masanga Marimba blends African and Latin American musical styles, mostly played on seven Zimbabwean marimbas ranging from …